A Tale to Tell
1984 . Living alone in a studio apartment in St. Louis.
Nearly broke. Part-time job as a server for El Torito’s
crap-for-food, wanna-be Mexican Restaurant. Divorced,
depressed, drinking heavily.
Made a cold call at Concordia Publishing for possible
free-lance artwork. They had a project underway, a slide
film program (religious education) for children.
They needed an artist to render approximately 70 or so
full color illustrations. Had to also supply sketches
which conformed to the program’s concept and script
under the direction and approval of the program producer.
A shit-pot load of work with a two week deadline. Pay,
as I recall, in the $2000 range (not a staggering sum for
the work involved). But you know, any port in a storm.
I owed the IRS a tidy sum in back taxes, was indebted
to two lawyers for my previous divorce, had rent and
utilities to pay, needed to eat, smoke and guzzle my
booze on a daily basis. Couldn’t be a better scenario
for a starving artist movie or play.
Fed up being married, middle class, suburban home owner,
8 to5 Monday through Friday white-collar job. I was living
on the edge, an artist’s dream of a lifetime, albeit unmanage-
able and scarier than hell.
Tried to sub-contract another artist to help out, but couldn’t
find one either able or willing to assist. “What, are you crazy,
Man? That job for the money sucks! I was in over my head
and on my own.
Well folks, I won’t bore you with all that particulars, but I
did it: I survived, made the deadline, payed my bills, found
another job as an art director for a small ad agency.
I sailed along beautifully for the next four years. And then
all hell broke loose again. Which is another story to be told
another day should I have the balls or the energy to explain.
All that said, I humbly submit a sampling of artwork I
rendered for the Concordia Publishing Project way back
in the vintage year of Our Lord, 1984.
Chris Hanch 9-10-2020
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